© 2014 gfelice-admin. All rights reserved.
Visit our full project website here: www.oceanicscales.com “Oceanic Scales” was developed by Gene A. Felice II & Jennifer Parker with support from the OpenLab Research Center at UCSC and the Coaction Lab at the University of Maine. Download the full overview in … Continue reading
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This is phase 2 of a project that I’ve been working on that combines complex geometry / plexus 3D objects designed in C4d, with planter systems designed for succulents. I’ve been printing this design on my Ultimaker 2 in a … Continue reading
© 2017 gfelice-admin. All rights reserved.
The Coaction Lab is excited to announce the Algae Collaborative, a collaboration between Coaction Lab founder, Gene Felice at UMaine, Jessica Muhlin at Maine Maritime Academy, Steven Moore at the University of Texas Austin and Celeste Roberge, faculty emeritus at the … Continue reading
© 2015 gfelice-admin. All rights reserved.
The Coaction Lab at the University of Maine, in partnership with the Intermedia MFA program, the New Media dept. and the Bangor Water District, collaborated to create a multi-media event titled FLOW – An evening of water themed light and projection, … Continue reading
© 2015 gfelice-admin. All rights reserved.
@ Yerba Buena Center for the Arts www.ybca.org/transflux Fri Jan 30th thru Sun Apr 12, 2015 Gene A. Felice II / David Kant / Tina Matthews / Dan Mayer / Nathan Ober / Sean Pace / James Shedel / Leslie Thompson / Wade Warman Coactive Systems is a collaborative series of projects from Coaction … Continue reading
© 2015 gfelice-admin. All rights reserved.
Aquaphonic Scales was a project by Gene Felice and Kima Moore as a part of the Coaction Lab collaborative research group. Felice and Moore created a multi-sensory installation on the famed grounds of Black Mountain College, specifically near the site of … Continue reading
© 2014 gfelice-admin. All rights reserved.
I had the honor of attending the Haystack Mountain School of Craft’s annual Art Schools Collaborative a for the past two years, with a great group of University of Maine Intermedia graduate students and University of Maine New Media undergraduate students. We had a … Continue reading
© 2014 gfelice-admin. All rights reserved.
This past Saturday, The Transfluent Orchestra (Gene A. Felice II & Nathan Ober) teamed up with HERD (eve Warnock & Kate Spacek) to produce a new collaboration at the Yerba Buena Center for the Arts for the Open Cities event. … Continue reading
© 2014 gfelice-admin. All rights reserved.
The Phytoplankton Confessional is an ongoing project dedicated to collaboration with an organism that can’t tell you if it wants to collaborate with you. In this particular collaborative investigation the organism we are attempting collaboration with is bioluminescent phytoplankton. Early versions of … Continue reading
© 2014 gfelice-admin. All rights reserved.
This project started as a collaboration with Dean David Yager at UCSC, beginning with a series of 2D images exploring the causes of asthma. It extended further into molds made from actual asthma inhalers and then cast from pine resin … Continue reading
© 2014 gfelice-admin. All rights reserved.
The third performance of the Transfluent Orchestra and “The Birth of the Transfluent Orchestra” took place during the “Bloom Santa Cruz” Event in April 2014. Old compatriots Gene A. Felice II and Nathan Ober teamed up once again to present their … Continue reading
© 2014 gfelice-admin. All rights reserved.
Presented by the UCSC Science and Justice Working Group, UCIRA, Openlab & The Digital Arts & New Media program Event Report and Collaborative Academic Paper: more-than-human-magnone-felice-murray-v2 What are the possibilities and challenges of collaboration in the anthropocene? Justice in a More-Than-Human … Continue reading
© 2013 gfelice-admin. All rights reserved.
Art / Light / Sound / Performance / Water & Ocean Ecology / Community Spring 2014 – Lighthouse Fields & Santa Cruz / Abbott Lighthouse Project Website: http://www.lighthousebloom.com Through a partnership between the UCSC Digital Art & New Media graduate … Continue reading
© 2013 gfelice-admin. All rights reserved.
Transfluence is a new collaboration with Nathan Ober. For the first iteration of Transfluence, we set up a live projection mapping system onto the facade of the Santa Cruz Museum of Art & History for their annual GLOW event, focused … Continue reading
© 2013 gfelice-admin. All rights reserved.
The Turtle’s Shell, was born from the inspiration a project titled Fecal Matters by Helen & Newton Harrison. Their unique solution for Bradford PA’s raw waste and run off problem was to divert rainwater into a combination of percolation ponds … Continue reading
© 2013 gfelice-admin. All rights reserved.
The Light Lab, The Digital Arts Research Center Santa Cruz, CA The “Plankton Harp” is a multi-sensory, cymatics and Max MSP based instrument prototype set up in the light lab in the Digital Arts Research center for the end of … Continue reading
© 2013 gfelice-admin. All rights reserved.
A group show for the 2012/13 DANM cohorts. My piece was a projection mapping installation on the roof of the Santa Cruz Museum of Art & History, filling the surrounding buildings architecture with light and moving images focused … Continue reading
© 2012 gfelice-admin. All rights reserved.
This is an early prototype of my Dioluminescent Organisms installation, set up in the light lab of the Digital Arts Research Center at UCSC for the end of fall quarter, open studios event. This installation features capacitive touch circuits, activated by touching … Continue reading
© 2012 gfelice-admin. All rights reserved.
A sculptural video installation based on the “Powers of Ten” and the work of Charles & Ray Eames, by Gene A. Felice II & David McConville. This was created for the 10^10 Blow out event at the Pink Dog Studio, … Continue reading
© 2011 gfelice-admin. All rights reserved.
Early Tests of “Creation Story” with red sand. slipped slip (7 min. montage) from Janice Lancaster, R. Brooke Priddy & Kima Moore Pushing the Envelope: ADSR was a collaborative, multi-media art show that I had the pleasure of curating for the … Continue reading
© 2011 gfelice-admin. All rights reserved.
Click here to visit to the official {Re}HAPPENING website “The {Re}HAPPENING” is a community art event and takes place on the original grounds of the Black Mountain College. This event pairs the rich tradition and history of The Black Mountain … Continue reading
© 2011 gfelice-admin. All rights reserved.
A floating, geodesic dome / performance space / projection surface, anchored to the surface of Lake Eden in Black Mountain NC and dedicated to the geometric inventions of Buckminster Fuller and his time at BMC. This project was created on … Continue reading
© 2011 gfelice-admin. All rights reserved.
As a part of the {Pre}HAPPENING event series leading up to the 2011 {Re}HAPPENING community art event, we set up shop in and outside the Walnut Wine Bar in Asheville NC and also collaborated with the “Easel Rider” Asheville’s new … Continue reading
© 2010 gfelice-admin. All rights reserved.
Mini-Moogseum Proposal (PDF) This Interactive, Museum Case / Sculpture is dedicated to the life and legacy of Bob Moog. It was created for the Bob Moog Foundaiton as a permanent installation in the Orange Peel Music Hall. The Mini-Moogseum was … Continue reading
© 2010 gfelice-admin. All rights reserved.
The Creative Technology & Arts Center (CTAC) is a community hub for innovation. It welcomes artists, technologists and designers as they pursue projects that inspire and ignite transformative action. The vision of the Creative Technology & Arts Center (CTAC) is … Continue reading
© 2010 gfelice-admin. All rights reserved.
A multi-media, site-specific installation on the surface of Lake Eden at the original site of Black Mountain college in Black Mountain NC. This was created for the inaugural {Re}HAPPENING event by Gene Felice & Megan Mckissack. We projected various mixes … Continue reading
© 2009 gfelice-admin. All rights reserved.
Click Here to download the Moogseum Project PDF The Moogseum was my first introduction to the world of Architectural Visualization. I’ve been working with 3D models, animation and rapid prototyping for years, but this was the first time that I … Continue reading
© 2009 gfelice-admin. All rights reserved.
Screen Doors of Perception Proposal (PDF) “The Screen Doors of Perception” (S.D.O.P.) is a three part, interactive, sculptural installation funded by a grant from the Media Arts Project and initially created for a site-specific, outdoor setting. The project revolves … Continue reading
© 2009 gfelice-admin. All rights reserved.
Most of the photos in the full gallery were taken by Nathan Ober. The final 15 or so amazing shots of the S.D.O.P. installation, were taken by Jon Leidel. Art Mush was a weekend of site-specific art creation with a … Continue reading
© 2007 gfelice-admin. All rights reserved.
Flash Website (Under Construction): www.genefelice.com/721 The hybrid form is a subject that I find a certain kinship with. I am a combination of my biology and my environment, a living mutation, balancing somewhere between the natural and technological worlds. This … Continue reading
© 2007 gfelice-admin. All rights reserved.
Code Name: Open Source from Peak Definition on Vimeo. Our Next Step in the Project: The P2 Modular Official Website: www.p2cycles.com Pedal Power or “p2” for short is a new collaboration between Nathan Ober and Gene Felice. It started as … Continue reading
© 2007 gfelice-admin. All rights reserved.
One of the best weekends of my life, was heading to Art Outside in the enchanted forest of Austin TX. This amazing art space / hobo haven invited a group of 8 artists to ride cross country from Ohio to … Continue reading
© 2006 gfelice-admin. All rights reserved.
Experimental / Interactive Show Website: www.workingframeworks.com A group art show that traveled from Cornell University to Columbus Ohio to Chicago Illinois, exploring the frameworks of installation, sculpture & performance. This the “The Control Room”, an interactive video installation that creates … Continue reading